How Becoming a Book Saved The Dead Friends Society: Austin filmmakers Paul Gandersman and Peter Hall turn the page on a new career as horror novelists – Screens

This is The Dead Friends Society. They soon had a script, and development was going well, Gandersman said, “and then it was March 2020.” Like all filmmakers, their projects came to nothing, “but we wanted to write, because Peter and I always write things.

“Because we didn’t know what movie to make,” said Hall.

“So we thought, what if we try to write a book,” Gandersman continued, “because the written word is the finished product.”

Gandersman and Hall are part of their creative process, although they both do most of it. They’ll work on plans together, but then they’ll take turns in a process that Hall likens to mowing the lawn, dashing lines, back and forth. “Say I’ll do 10 pages in one day – which is a very productive day – I’ll send it to Paul, and he’ll look at what I’ve done, and then he’ll move it and maybe he will. I’ll add a few more pages, and then the next day I’ll look at his edits and new creations, each bar moving that bar further away from the line.”

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“And by the time we get to the end of the plan, it’s pretty refined, because we’re adjusting as we go,” Gandersman said. Moreover, it becomes almost impossible to tell who wrote the part. “I feel like we found the magic of writing with one voice,” Gandersman added, “and we were very lucky to meet each other.”

So, after years of writing, they needed a story for their story: When they looked around, they realized they could save. The Dead Friends Society from the grave. Gandersman explained, “One page of video turned into a thousand words, and suddenly we had 100,000 stories.”

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Of course, Hall pointed out that the cinema is because of the IP-driven IP so it may be easier to get the book of The Dead Friends Society it was made into a film, not a scripted version. “Now,” he said, “as of Friday, it will be IP, even if it’s the same.”

Mostly, but not completely, and Gandersman and Hall both noted that the “show, don’t tell” nature of a story made them rethink the story. IF The Dead Friends Society Returning to the screen, Gandersman said, “We might want to rewrite the screenplay, because we learned a lot about the characters in the book.”


The Dead Friends Society by Paul Gandersman and Peter Hall, Encyclopocalypse Publications, 422 pp., $32.99 (hardcover), $18.99 (paperback).



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